DIGITAL ILLUSTRATION
These pieces are rendered using computer software. The line work is executed in AutoCAD and Illustrator and the color components are implemented in Illustrator and Photoshop. The work studies composition and creativity of design as I experiment with geometry, abstraction, and humanism.
A personal study conducted in an effort to define architecture: how limited can enclosure be while still performing as shelter? What experience is created by voids? How can the building's levels be reinterpreted? How can a floor be a roof?
Personal study conducted on understand geometric planes in the third dimension. The piece experiments with the effects of hatching shadows, the rhythm of directional line work, and hierarchy of saturation.
Exploring pattern creation. A project that aimed to induce motion when repeated amongst itself. If used in a series, the geometry creates an optical illusion of alternating convexity and concavity.
Past portfolio cover artwork. A playful rendering of interconnected geometries, depth, and perspective.
Poster illustration. A combination of two separate works that lacked context when rendered apart, but together enhance an emotional drama created by the integration of romance, cosmology, and stark black and white line work.
Tee shirt design used by the band Scaleybark upon the release of their first album. Elements of the image pay tribute to a few of the artists that inspired their music.
Horizontal poster design. Titled: "We Just Want to Be Held".
An abstracted interpretation of built form versus organic nature. The design has been printed and sold on both phone cases and clock faces.
Flier formatted for email marketing glottman's floor sample sale. Each item creating the title letters was an actual product available for purchase.
Tee shirt artwork. Exploring shadow heavy hues and series evolution.
Tee shirt design playing with scale and shadow fill versus line distinction.